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Thursday, 5 December 2024

The Divine Emanations

Portrait of Tipu Sultan by an anonymous Indian artist in Mysore, ca. 1790–1800. It shows the sultan facing to the left of the image. He is wearing a green robe adorned with gold, a dagger at his side, three strings of pearls, and a wide-brimmed green turban adorned with pearls, and decorations at the front. He is seated in a red chair and has his hand on a long white object at the bottom of the image.
For as long as he could remember, a man had been convinced that he was privy to divine emanations, but he could never quite pin down what they were or where they came from. They just seemed to arise as if from nowhere or arrive on the wind. And so obsessed did this man become, that he left his family and his job and set out one day to find the source of the emanations, travelling far into the mystical East.

He went from one wise man or woman to another and sat in their presence and enjoyed their rich hospitality for countless hours and from time to time he'd sense the divine emanations as they arose and say: “There you are! Did you, such a wise man, not notice that? That's what I was trying to explain to you: the Divine Emanations! That is what I seek.” But time and time again, the wise men and women would merely shrug their shoulders and shake their heads, apologizing that they could not be of assistance to the man in this matter, and he would leave their company to carry on his noble quest.

And then one day, this man came to the door of a Sufi – indeed the door of the Teacher of the Age. And no sooner had he finished the particularly rich and spicy meal that his host offered him and had begun to explain to him his great desire to sit in the presence of the source of the Divine Emanations, than he let out a whoop of joy. “There! That is what I mean! That is what I have dedicated my whole life to seeking. The Source of the Divine Emanations! Surely, you must sense it too? Could it be that after all these years of selfless devotion to my quest I have finally been rewarded by being allowed into the presence of the Source?”

The Teacher of the Age looked the man straight in the eye and shook his head. “Divine Emanations, my friend? Yes, there are indeed divine emanations, emanations so potent that merely spending time in the presence of the elect is sufficient to transform a man or woman.”

“But, listen carefully to me ...”

Thursday, 28 November 2024

An Unholy Vision, from Beyond a Shadow of a Doubt

A painting by Gwabryel, based on H. P. Lovecraft's story The Call of Cthulhu. It shows a man with arms outstretched worshipping a very tall, black figure. To his left and right, victims are suspended upside down from gallows, and in front of the dark figure are several other, perhaps tormented figures.
“Some want to turn the clock back, harkening back to some golden age of nostalgia, when women, children, the lower class, parishioners, and people of other races and creeds knew their place; not back to the 1950s, but further back: to Dickensian times and to (corporate) feudal fiefdom. They want to wind the clock back to a time before the hard-won battles for civil rights, social reforms, and worker representation. A time long, long before the ‘woke virus’, ‘illegal immigrants’, and gender identity, when life was more conservative and white lives mattered; though with a new, fundamentalist, Christian nationalist (or Islamist, or ultra-Zionist, or even atheist) and isolationist twist. And some will go to any lengths – and I do mean any desperate, violent, draconian lengths – to bring this vile and unholy vision about.”

~ H.M. Forester, Preface to Beyond a Shadow of a Doubt.

Story of resistance only, WITHOUT additional study materials.

Availability ...

Friday, 22 November 2024

Bloggers: A pox on Googlebot

Technical stuff

For a while now, GoogleBot, via the Google Search Console, has been crawling and indexing sites "mobile first": that is, they crawl a web page as if they were a smartphone user. Only much later, if at all, do they come back and carry out a "desktop" crawl.

The issue for users of Blogger / Blogspot is that these sites detect the simulated mobile device and redirect GoogleBot, adding "?m=1" onto the end of the URL (web address).

Googleplex HQ with logo blurred-out.

Wednesday, 20 November 2024

Societal Collapse by Design: MAGA’s Big Plan

Creating distrust, division, confusion, and chaos, leading to massive societal dysfunction and collapse, is not a bug in the MAGA plan due to incompetence in personnel picks and policy: it’s a very deliberate design feature, and it will have dire global consequences.

And for accelerationists, evangelicals, fundamentalists, and Christian nationalists, it’s all a part of the big plan for the End Times.

Tariffs are imposed and tax cuts are extended yet again to the wealthy; markets crash, the dollar plummets; the US defaults on the national debt; the rich make a healthy profit on the downward spiral, from bitcoin and from bailouts; the natives become restless, and for “reasons of national security”, the authorities declare martial law. And “before you can say Jack Robinson”, it's fait accompli.

Added to which, we can only hope and pray that things don't escalate into nuclear war with Russia, China, North Korea, and Iran, and peacefully protest any such emerging crises, or we'll really be shafted.

~ H.M. Forester.

If this resonates with you, you may like “An Unholy Vision, from Beyond a Shadow of a Doubt” (a story of Resistance), with links to the eBook.

Destruction, a painting from the series, The Course of Empire by Thomas Cole (1801–1848). See blog post text for a full description by the artist.

Saturday, 9 November 2024

The Esoteric Meaning of Noah, the Ark, and the Flood: Maurice Nicoll

“There is the literal level of understanding sacred writings and there is also the psychological level of understanding them.” ... “The esoteric or inner—that is, the psychological—meaning is quite different. Esoteric teaching is always about [Humanity's] inner evolution. It is about Man's higher development and his relation to what is higher than he is.” ...

Le déluge or The Flood, a painting by Léon Comerre (1850–1916), showing a whole heap of forlorn-looking naked men, women and animals on rocks, with stormy water all around and washing over some of them.

The legend of the stone soup

Once upon a time, not so very long ago, and in a land not a million miles from here, there were two hungry dervishes, who are seekers, people of the 'poor'. 

One evening in their travels, they came across a small village and decided to stay for the night. There was an inn there, just by the side of the village green. But because they had no money, the two dervishes could not afford to stay there. Sometimes the pair would take out their musical instruments and play and entertain the inhabitants with jokes and news, in exchange for a few coppers for food and lodgings. But not tonight, for it had been a long haul up into the foothills of the mountains that day, and they were both too dog-tired to play, or even raise a smile. 

So it was that the two dervishes set their scant belongings down by the side of the village green, right in front of the inn. While one of them set about stacking up the sticks of wood he had scavenged along the way, the other arranged the stones which he'd collected in his travels, into a small circle around the wood. 

A large cooking pot, propped-up between two rocks over a camp fire.

Tuesday, 29 October 2024

Sufis Say “Put Your Hands on Your Head”

A black-and-white photo of a man wearing sunglasses and with his hands on his head, playing the children's game, "Simon says ..."

It strikes me that there’s a game that Idries Shah used to play, and encourage us to play. It’s called “Sufis say ...” which has been handed down since time immemorial from murshid to murid (master to disciple). A contemporary form still exists in elite circles, where it is called “Shah says ...”

We may know it in a lesser, degenerate form, so we are told, by the name “Simon says ...”, a game now played by small children and fools.

Saturday, 19 October 2024

Habit and improvisation, and Sufi Necessity

One of the early aims of the Sufi teachings is to regain the flexibility of mind that is lost as we grow out of childhood. Almost inevitably in this abode of decay, we humans become creatures of habit. But it needn't be this way.

To quote Arthur Koestler in The Ghost in the Machine in a chapter on Habit and Improvisation:

“[Regarding] Lindauer's study of the honey-bee. Under normal conditions, there is a rigid division of labour in the hive, so that each worker is occupied on different jobs in different periods of her life.

Bee on cornflower in Aspen (91229) / Rhododendrites / Wikimedia Commons / CC BY-SA 4.0.

Saturday, 17 August 2024

Beyond a Shadow of a Doubt, by H. M. Forester

Front cover of Beyond a Shadow of a Doubt: A crash course in psi-fi, Romantic idealism, depth psychology, and the daemonic, by H.M. Forester.
The second corrected draft of Beyond a Shadow of a Doubt: “A crash course in psi-fi, Romantic idealism, depth psychology, the daemonic, and Resistance”, by H.M. Forester is now available for free download. It is alternatively titled “Making a Lasting Impression”.

Note that this edition contains a fictional psi-fi story of resistance only, without additional study materials.

You can preview or download it at The Internet Archive

or download it at the Sher Point Publications, UK web site (just scroll down the page).

There’s also an entry at Goodreads.

Second (corrected) draft edition, 21 August 2024, 315 pages.

Now available also at:

• Amazon UK

and

• Amazon US

Enjoy!

Saturday, 27 July 2024

The Legend of the Cake-Baking Islanders

or "The king who divined his fortune"

A king who was also an astrologer read in his stars that on a certain day and at a particular hour a calamity would overtake him. He therefore began to stockpile all manner of raw ingredients such as flour and eggs and milk and posted numerous guardians outside, stacking the materials from floor to ceiling until he could no longer leave the warehouse he had built-up. By this time he was beginning to have second thoughts about the whole matter, but he could no longer conceive of any means of escape.

Then one day a Sufi, passing by, looked in through one of the remaining small openings, took in the situation and called to the King:

'Friend, if you wish to escape, you must first of all use some of these provisions to bake me a cake.'

Close-up of a cake decorator displaying deluxe fruitcake on a baking line, showing his plastic-gloved hands around the cake.

Wednesday, 17 July 2024

Andrea Wulf's Magnificent Rebels, The First Romantics: Book Review

The Soul of the Rose, a painting by John William Waterhouse (1849–1917). It shows a woman in a flowing summer dress with wide sleeves standing by a garden wall up which rose bushes are climbing. Close to the wall, she gently holds one of the pink rose blossoms to her nose to breathe-in the subtle, delicate scent.
★★★★★ Magnificent Rebels: The First Romantics and the Invention of the Self by Andrea Wulf is a fabulous book.

In the late 18th century, what we now call Germany consisted of a great many large and small self-governing principalities and fiefdoms, and the authorities rigidly controlled a great many aspects of their subjects' lives, not least ruling on who could marry whom, or divorce, and requiring permission to travel.

The book is about the lives and works of the first Germanic Romantics, a group of philosophers, poets, artists and thinkers, who gathered for a number of years in the small and relatively free town of Jena, 150 miles south-west of Berlin, around the turn of the 18th century, and whom the author terms the Jena Set. These were people like Caroline Böhmer-Schlegel-Schelling and her daughter Auguste; Johann Gottlieb Fichte; Johann Wolfgang von Goethe; Georg Wilhelm Friedrich Hegel; Alexander, Caroline, and Wilhelm von Humboldt; Novalis; Friedrich Schelling; Friedrich Schiller; August Wilhelm and Friedrich Schlegel; Friedrich Schleiermacher; Ludwig Tieck, and Dorothea Veit-Schlegel.

If there's one takeaway from this compelling and well-rounded history that tells it “warts and all”,  it is that the wonders the German Romantics of the Jena Set wrought so energetically perfectly illustrate that “the whole is greater than the sum of its parts” – in their case far greater – when creative folk come together to chat and discuss a wide, inter-disciplinary range of topics, and collaborate in producing literary or artistic works. All the more so when such meetings of minds are facilitated by someone as intelligent, perceptive, informed and energising as the Jena Set's muse, Caroline Böhmer-Schlegel-Schelling.

Thursday, 11 July 2024

Be Still My Beating Heart: Cultivating Sakina

Well, what do I know, but it seems to me that what the writer, thinker and Sufi mystical exponent Idries Shah was doing was conducting an innovative (or should I say relatively unknown?) experiment in long-distance learning, knowing that most would have no physical contact with a Teacher, knowing that most would not convert to Islam. To re-hash what I've written about in the past, I think that working with the materials (both didactic materials and the teaching stories, which some ignore) works on the commanding self and delinquent or depraved nafs, and the self-accusatory nafs. And I sense that there is then sporadic, but increasingly reliable, activation of the inspired nafs.

A man sits inside a building, by an open doorway through which potted plants and perhaps a tree are visible in the sunlight. The doorway itself, and the large wall in which the door is set, are made of many panes of stained glass in yellow, orange, and red hues.

However, there comes a point when looking back on the depraved nafs and self-accusatory nafs becomes counter-productive. Even at the stage of the inspired nafs, there is an element of pride involved in what one sees as ones own accomplishments, when in reality these are things which one is gifted. There needs to be a turn around.

The question is (and I think this is a gamble that Shah took) is whether working with the materials, and on ones self is sufficient to induce a self-sustaining reaction and open up the heart, the heart and other lataif, (latent organs of subtle perception), and allow one to come in contact with, and work with, something outside ones limited self; an inner guide, if you like, with whom one may engage in inner dialogue (and here there is common ground with Western esoterica, contemporary depth psychology (eg active imagination), and illuminationism (eg imaginal world, 'al am al-mithal)).

Tuesday, 2 July 2024

Nile Green’s “Fantastical” Hatchet Job About Ikbal and Idries Shah: Book Review


Front cover of Nile Green's Empire's Son, Empire's Orphan: The Fantastical Lives of Ikbal and Idries Shah.
★☆☆☆☆ Nile Green's “fantastical” book
, Empire's Son, Empire's Orphan: The Fantastical Lives of Ikbal and Idries Shah, about Ikbal Ali Shah and his son, the writer and thinker Idries Shah who helped establish the Sufi mystical tradition in the West, comes in the same ignoble tradition as James Moore and L.P. Elwell-Sutton's hatchet jobs, and they will hardly get a footnote in history. Had the author taken a less adversarial and scornful stance and been able to gain the confidence and cooperation of members of the Shah family that he evidently desired and sought, the work, and its sources, might have been greatly improved.

According to a recent and uninspiring review in the New York Times by Robyn Creswell, “Ikbal and Idries are tricky subjects for biography. They kept no diaries and left only scattered correspondence”. And yet Tahir Shah managed to collect and publish an 8-volume set of information to coincide with the centenary of his father, Idries Shah's birth, on 16 June 2024. So a great deal of interesting and useful material has been left out of this work.

The evidence appears very damning. However, with the sparse use of citations, it's difficult to tell where Nile Green's imaginative re-enactment and speculation delivered as statements of fact leave off and where hard evidence begins. This gives the illusion of intimate acquaintance.

Tuesday, 25 June 2024

The Lost Bookshop by Evie Woods: Book Review

★★★★★ 444 pages it may be, but I actually gobbled this novel up in one long sitting, putting everything else apart from dinner, coffee, and smokes on-hold. Not only is The Lost Bookshop by Evie Woods a page-turner, though, it is so rich and rewarding, with many literary references, and the elements of magical realism are most welcome in this disenchanted, materialist – and hopefully passing – era.

Front cover of The Lost Bookshop by Evie Woods.

Sure, the work tackles serious real-world issues like alcoholism, domestic violence, and systemic misogyny, but it's full of hope.

No wonder this work (by a previously self-published author) was snapped-up by HarperCollins imprint One More Chapter, and that it has already gone on to sell more than one million copies – a heart-warming and inspiring story in itself.

Will now re-read and savour the book at a more leisurely pace.

The Outsiders

“They were outliers; they no longer cared for the kind of society that would not accept them. Instead, they inhabited a world of artists and free spirits who chose the vicissitudes of a nonconforming life over the comforts and security of the status quo.”

~ Evie Woods, The Lost Bookshop.

The Lost and Found

“Lost is not a hopeless place to be. It is a place of patience, of waiting. Lost does not mean gone for ever. Lost is a bridge between worlds, where the pain of our past can be transformed into power. You have always held the key to this special place, but now you are ready to unlock the door.”

~ Evie Woods, ibid.

Saturday, 27 April 2024

Suhrawardī’s Illuminationist Rescue Plan

Plato's Allegory of the Cave

In Plato's allegory of the cave, a number of prisoners have been imprisoned since childhood in a cave, chained so they cannot move, nor turn their heads, so that all they can see before them are shadows on a wall, and all they can hear are echoes around the cave's walls, that they take to be coming from the shadows. These shadows and echoes they take to be real, for they have known only these.

Let us say that one prisoner manages to break free from his shackles and looks around. He sees now that behind the prisoners is a raised walkway with a low wall, and that behind that is a bright fire. He notices that people walk behind the wall so that they do not cast shadows from the light of the fire, and that they hold aloft objects or puppets of men and other living things. It is these that cast shadows against the cave wall in front of the prisoners, and which the prisoners have taken to be real, just as they have mistaken the echoing voices of the puppeteers to be emanating from the shadow puppets.

Plato's Cave, attributed to Michiel Coxie (1499–1592), showing several men in the cave, and shadows projected on the walls.

Friday, 5 January 2024

Our books at the the Internet Archive library

All the mystical adventure novels by Etienne de L'Amour, soft sci-fi and psi-fi by H.M. Forester, and some short non-fiction documents by Eric Twose are now available to view, read or download for free at the Internet Archive libraryhttps://archive.org/details/@esowteric?tab=uploads 

Also available for free download at our web site: https://sherpoint.uk/ 

A display of books.